IN THE NEWS!
StoryFest would like to congratulate Annabel Lyon - alumni author from 2020 - on her nomination for the Women's Prize For Fiction Longlist!
We wish Annabel the best of luck on the next phase of the competition. What an impressive honour to be among this group of empowering female writers.https://www.womensprizeforfiction.co.uk/2021-prize
2020Hudson’s StoryFest welcomes a formidable virtual line-up
Your Local Journal
PHOTO COURTESY STORYFESTMontrealer Tommy Schnurmacher is one of the authors taking part in this year’s edition of Hudson’s Literary Festival StoryFest and he’ll help wrap up the event discussing his latest book titled ‘Makeup Tips from Auschwitz: How Vanity Saved my Mother’s Life.’
By Audrey Wall September 16, 2020
Readers from far and wide are invited to join us online for our 19th edition of StoryFest Literary Festival via Zoom. For those who would like to find out more about the books our authors will be discussing, here is a preview. Joan Thomas won the Governor General’s Award for fiction for her novel ‘Five Wives,’ described by the Globe and Mail as, “…brilliant, eloquent, curious, far-seeing.” It is based on a true story of five American missionary families who moved into the territory of the reclusive and isolated Waorani people in Ecuador in 1956. Called Operation Auca, the story centres on the five wives left behind in the rainforest when their husbands are killed. It is a fascinating look inside the minds of evangelists.
Annabel Lyon’s newest novel ‘Consent’ will be published next week, but has already been placed on the longlist for the prestigious Scotiabank Giller prize. The story centres around two sets of sisters whose lives are forever changed by tragedy. It is a thought-provoking exploration of how complex familial duty can become, and it shows us how complicated love becomes when it is mixed with guilt, resentment and regret.
Margaret MacMillan’s new book, ‘War: How Conflict Shaped Us’ looks at the ways war has influenced human society and discusses controversial questions such as, “Does human nature doom us to fight another war?” She discusses how changes in political organizations, technology and ideologies affect why and how we fight. The author of the acclaimed book ‘Paris, 1919: The War That Ended Peace,’ Margaret MacMillan’s voice is an important one in our world of today.
Emily Urquhart’s book ‘The Age of Creativity: Art, Memory, My Father and Me,’ was just released September 1. In this work, Emily shows us that human creativity doesn’t come with an expiry date. Based on her firsthand observations of award-winning artist Tony Urquhart, Emily tells stories of her relationship with her father as she grows up, travels, and watches him age.
Michelle Good, author of ‘Five Little Indians.’ is a writer of Cree ancestry and a lawyer. In her first novel, she draws on the personal experiences her mother and her grandmother had at Canada’s residential schools. Her book is both compassionate and insightful, and chronicles the desperate quest of residential school survivors to come to terms with their past and, ultimately, to find a way forward. Good’s book has also just been longlisted for the Scotiabank Giller prize.
Tommy Schnurmacher’s latest book, ‘Makeup Tips from Auschwitz: How Vanity Saved my Mother’s Life,’ is a story of courage in the face of adversity. It is a wonderful tribute to his Mother, Olga, who would not be defeated against all odds. The book is made up of 51 short chapters, comic in the time-honoured tradition of Jewish Mother humour, but moving forward to a place where the reader is emotionally invested in the outcome.
Greenwood’s StoryFest will take place every Thursday during October online using the Zoom platform. The regular time will be 7 p.m. Eastern time with one exception – the event with Margaret McMillan will take place at 2 p.m. Eastern time as she is joining us from London, England. The final event with Tommy Schnurmacher takes place Sunday, November 1 at 2 p.m. Eastern time.Ticket are free and can be reserved at www.greenwoodstoryfest.com Please follow the directions on the website to get a virtual ticket and a Zoom Webinar ID number.
From Heather O'Neill to Gwynne Dyer – 15th edition of StoryFest opens Sunday
TERRY O’SHAUGHNESSY, SPECIAL TO THE MONTREAL GAZETTE
Published on: September 27, 2016
By the time I was 7 years old I already had my own suitcase. It was dilapidated and very old-fashioned, and filled to the brim with my treasures: a complete set of Eagle colouring pencils, my pencil sharpener and all my books. My dolls were completely secondary to my books, so it’s no surprise that when Hudson’s Greenwood centre’s acclaimed literary festival StoryFest starts at the beginning of every October, I’m in heaven. And this year it’s no different, as we get into gear for the festival’s 15th season — and our biggest lineup of writers ever.
Hudson is only a stone’s throw away from the West Island, and several of the StoryFest writers this year do not often appear in the Montreal area — so Hudson needs to be on everyone’s literary calendar for the next month.
British Columbia author Gail Anderson-Dargatz gets it all started this Sunday when she opens StoryFest. Enjoying positive reviews of her new novel The Spawning Grounds, Anderson-Dargatz has authored such well-known books as The Recipe for Bees and The Cure for Death by Lightning. Satirist Terry Fallis is up next on Tuesday, Oct. 4, with his tales of life in political circles in Ottawa, well-known terrain for this former Liberal party strategist. Then, on Thursday, Oct. 6, the great Newfoundland poet Don McKay takes to the stage of Hudson Village Theatre as well as First Nations’ spoken-word poet and throat-singer Taqralik Partridge. That’s just the first week of StoryFest; there’s plenty more.
During the second week, Saleema Nawaz, author of this year’s Canada Reads finalist Bone & Bread, will make a special appearance on Tuesday, Oct. 11, followed on Thursday, Oct. 13, by Seven Days Dead author John Farrow, a.k.a. Trevor Ferguson, who has already penned some of Canada’s finest literary novels and who has found a second voice in Farrow’s crime thriller novels. On Saturday, Oct. 15, writer and journalist Monique Polak will give a writer’s workshop at Greenwood in the afternoon, while in the evening, Three Authors of Note — Nisha Coleman, Ian McGillis and Eric Siblin — will talk about writing and music, with Hudson’s superb singer Carolina Pla starting off what promises to be a pretty special evening at Hudson Village Theatre.
In the third week of sheer book lovers’ delight, Montreal’s own Heather O’Neill will appear on Tuesday, Oct. 18, followed by Alberta-based Marina Endicott on Thursday, Oct. 20. And then there’s the fourth and final week that will close StoryFest with the big flourish of well-known international observer Gwynne Dyer and multiple Governor General award-winning Guy Vanderhaeghe who is sure to attract an overflowing audience. We rarely get the chance to welcome this prolific Saskatchewan-based writer who has won so many of Canada’s highest literary accolades.
In short, my dilapidated old-fashioned suitcase of books will be sorely missed as I dig out some favourite books of these authors to re-read — or collect the new ones I haven’t read yet. If only I had my old book suitcase, I could carry them all around until I decide.
Greenwood’s StoryFest opens on Sunday, Oct. 2, with Gail Anderson-Dargatz at St. Mary’s Hall, 261 Main Rd., Hudson, at 2.30 p.m. For details on the complete lineup and to purchase tickets or a festival pass, go to: greenwoodstoryfest.com
StoryFest 2016 announces stellar October line-up
Starting tomorrow, lovers of literature can get their hands on passes to the 2016 edition of Greenwood’s StoryFest, one of Hudson’s premiere festivals and the perfect way to support Canadian literature. The annual event takes over the small town every October with a month-long series of lectures, workshops, and film screening; this year the festival will be run by recently-appointed executive director Terry O’Shaughnessy.
“We are thrilled with our StoryFest 2016 line-up--it has something for everyone. In fact, literary voices from right across Canada will be heard this year,” said O’Shaughnessy. “StoryFest will offer a truly pan-Canadian celebration of words this year.”
This Thursday, the festival has a special pre-StoryFest event with Dr. James Orbiniski, a contemporary of Romeo Dallaire’s who writes and speaks at length about his time in Rwanda and his work as president of Doctors Without Borders. Then in October, the festival kicks off on October 2 with two-time Giller finalist Gail Anderson-Dargatz (Recipe for Bees; The Cure for Death by Lightning). She will be followed by Terry Fallis, author The Best Laid Plans and a multiple Stephen Leacock Humour Award winner on October 4. The not-to-be-missed poetry evening is set for October 6 with a talk and readings by two-time Governor General Award for Poetry winner Don McKay and readings by First Nations’ poet Taqriluk Partridge.Other authors on stage during the fest are CBC’s Canada Reads finalist Saleema Nawaz (Bone and Bread); Seven Days Dead author John Farrow, a.k.a. Trevor Ferguson; two-time Giller nominated Heather O’Neill (The Girl Who was Saturday Night; Daydreams of Angels); commentator and columnist Gwynne Dyer; and Commonwealth Writers Prize winner Marina Endicott (Good to a Fault; Close to Hugh).
Writers workshops this year are Finding Fun in Writing with Montreal novelist and journalist Monique Polak and with multiple Governor General Award-winning author Guy Vanderhaeghe (Daddy Lenin), who will also be speaking. One special evening will feature three authors who write about music: Eric Siblin (The Cello Suites), Nisha Coleman (BUSKER: Stories from the Streets of Paris) and Ian McGillis (The Gazette book review columnist and author of A Tourist’s Guide to Glengarry).
This year’s film screening is Jane Austen’s Love and Friendship, which will play on October 24.A pass for the festival is only $100 and they go fast; find one as of July 14 at www.greenwoodstoryfest.com. Individual tickets go on sale August 1 online, at Boutique Pure Art, 422 Main Rd., Hudson, Que., or at the door if seats remain.
BY CHERYL CORNACCHIA, the Montreal Gazette; July 15th, 2015
Now in its 14th year, StoryFest is an annual event featuring a who’s who of Canada’s literary talent.
The tradition continues this year with two award-winning novelists and playwrights, Ann-Marie MacDonald and Tomson Highway.
They are just two of the high-profile names in the lineup of Canadian authors announced last week by the event’s organizers.
“It’s one of our strongest, most diverse lineups of writers ever,” said Audrey Wall, executive director of the Greenwood Centre for Living History in Hudson, which hosts the festival.
Kim Thuy, winner of CBC’s Canada Reads 2015 for her novel Ru, will open the festival Oct. 1. Former CBC foreign correspondent and veteran journalist David Halton will provide one of the closing events.
Scotiabank Giller prize-winner Sean Michaels will appear Oct. 20. Kathleen Winter and Lisa Moore will appear on Oct. 14 and Oct. 17, respectively, and poet Kateria Askiwenzie-Damn is scheduled for Oct. 6.
Novelist Lauren B. Davis will give a writers’ workshop on Oct. 18.
Wall said she is proud of how StoryFest has grown since 2002, when only a couple dozen people came out to hear then Senator Philippe Gigantes talk about his book, Power and Greed: A Short History of the World.
It’s now a major event on the Canadian literary calendar attracting big name writers, poets, novelists, playwrights and journalists.
“People love it because it is associated with this historic house,” said Wall, referring to Greenwood. “They are also amazed a bunch of volunteers have been able to sustain it.”
Last year, Canadian writer Margaret Atwood read to a sold-out crowd as did retired Lieutenant-General Roméo Dallaire, now an internationally recognized humanitarian.
Other festival favourites have been Quebec mystery writer Louise Penny (2010), author Nino Ricci (2008), Canadian journalist Sally Armstrong (2012) and Emma Donoghue (2013), the author of Room, a shockingly uplifting story of a mother’s love for the son she conceives after being kidnapped and while being held captive.
The festival’s growing popularity in part owes thanks to the authors themselves, said Wall.
She explained it was Canadian writer Michael Ondaatje who urged Atwood to not only participate but to bring her partner, author Graeme Gibson, because he had so enjoyed participating in StoryFest 2013 with his wife, author Linda Spalding.
Lauren B. Davis, who is giving a writers’ workshop this year, is now working on bringing Lawrence Hill, the author of the Book of Negroes, to next year’s event, she said, while the Montreal Gazette’s own Aislin has also vowed to deliver the CBC’s Rick Mercer to a future StoryFest.
Over the years, Wall said, many of the Canadian authors, who have made the trek to Hudson for the festival, have also given signed and dated copies of their books to the private library of the Greenwood Centre for Living History.
She said the close to 100 titles are an enduring legacy of the literary festival and the Canadian novelists, poets, journalists and playwrights it has attracted over its 14-year history.
And although, she said, many of the inscriptions are difficult to read, one stands out clearly:
“To the Greenwood Centre, thank you for letting me tell my story,” wrote Margaret Trudeau in 2010 in the front cover of her book, Changing My Mind.
BY TERRY O'SHAUGHNESSY, special contributor to Your Local Journal; July 9th, 2015
Greenwood’s StoryFest 2015 Committee has been hard at work putting together its 14th season of the crème-de la-crème of Canada’s vibrant literary scene—and this year’s line-up will boast its customary stellar list of Canada’s top writers. From Ann-Marie MacDonald to Tomson Highway to current Giller prize-winner Sean Michaels, StoryFest audiences will also be thrilled to learn that Kim Thuy, celebrated author of "Ru" and "Man", will officially open the annual literary festival in October.
Thuy’s exquisite novel of emigration, loss and new life, "Ru", was the winner of CBC’s 2015 Canada Reads competition in March, a win that had Greenwood’s executive director Audrey Wall as excited as StoryFest’s audiences.
“We were thrilled with the news that our opening author had so deservedly won CBC’s recent Canada Reads contest,” said Wall.
“But this is far from the only fantastic StoryFest news,” added Wall.
“We are so very excited to announce that AnnMarie MacDonald will be coming this year, as well as Tomson Highway. Then we have the multiple award-winning novelists Kathleen Winter and Lisa Moore—not to mention Lauren B. Davis who will give our writer’s workshop this year— who just further underscore that this October will mark one of our most diverse StoryFest line-ups ever.”
Wall announced veteran foreign correspondent journalist David Halton, so well known to CBC audiences for decades, will also be appearing at StoryFest as well as First Nations poet Kateri Akiwenzie-Damm.
“It is one of our strongest line-ups of writers ever,” said Wall. “And we simply can’t wait to present each of them to StoryFest’s audiences in October.”
StoryFest passes will be available online on August 1st. Watch the website for all StoryFest 2015 announcements and news at www.greenwoodstoryfest.com
By CARMEN MARIE FABIO, Your Local Journal: June 11, 2015
The world woke up to a harsh reality this past January with news of the assassination of 11 cartoonists at the famed French Charlie Hebdo satirical magazine over its perceived blasphemous portrayal of the Islamic Prophet Muhammad and then witnessed the subsequent international backlash as demands for the publication increased by a hundredfold.
Such is the power of a political cartoon and one of, if not the best-known Canadian political cartoonist, Terry Mosher - also known as 'Aislin' editorial cartoonist for the Montreal Gazette and author/illustrator of 47 books - will open Hudson's pre-StoryFest event Monday, June 15 by discussing the history of cartooning, some of his own work spanning almost 50 years and, in his words, boasting about the quality of cartooning in Canada.
“Cartooning is still very much part of the political equation here,” said Mosher of Montreal’s six daily-newspaper political cartoonists compared to only one working daily cartoonist in the much larger metropolis of Los Angeles. “People realize the power of a cartoon – a good one. All over Quebec, people are very political. If you go elsewhere, it just doesn’t happen.”
Mosher usually prepares for his day by reading - besides The Gazette - The Globe and Mail, The New York Times, Toronto Star, La Press, and even Le Journal de Montréal, “for the outrageous stuff.” He also consumes radio and some television, and still religiously picks up hard copies of The New Yorker and describes the Sunday New York Times as “a holding paper.” Mosher laments the definition of ‘news’ as having been stretched as more entertainment and sports garner ever more media coverage. “In terms of our general lives, it’s far more important to know what a cabinet minister is dealing with than how the Habs did against the Penguins last night,” he said. “It concerns me that there’s less and less care about what happens in Ottawa, particularly with this revolting government we have right now that’s hardly operating under what we consider to be decent Canadian standards.”
Despite having feet – and heart – firmly rooted in paper, Mosher has embraced modern technology, both for how good the cartoons look onscreen and the immediately accessible platform. He's adapted his output to the realities of today's demand for instant information with his cartoons often appearing online up to 24 hours before the paper is published. “People want it now,” he said, describing the cartoon's dissemination process that includes Facebook and Twitter. “Readers are getting the cartoon as the discussion is going on.” Mosher's creations typically begin around 4:30 a.m. as he scours a number of online news sources to get an idea of what's going on and where to focus his pen – or mouse.
His style has evolved from pen and ink cross-hatching, honed when newspapers were incapable of reproducing subtle shading, to much of today's work created directly on an iPad. “It's important to me to keep interested and keep curious,” he said, “so I like to surprise people with different styles, like photo manipulations or a combination of many styles. It keeps readers interested.”
Mosher's work is still finding new audiences as his extensive archives of historical work provides context for topics that, besides the recent death of Jacques Parizeau, includes a retrospective on Mordecai Richler with recent stage production of The Apprenticeship of Duddy Kravitz.
“Political cartooning in Canada is the longest-lasting form of humour. And I don’t see it going away, I just see it changing delivery and style, but pungent humour is very important to Canadians.”
Mosher’s current Gazette contract will have him producing three cartoons a week with fellow cartoonist Pascal contributing two more. “You can’t teach Montreal to anybody. You can’t bring in a cartoonist from Pittsburgh and have them draw a Montreal cartoon.”
Following his speaking gig in Hudson and his ongoing Gazette appearances, Mosher will be drawing the posters for – and appearing at - Comic-Con in Montreal July 3, 4 and 5 at Booth 3318.
Article posted by Carmen Marie Fabio, Thursday June 11th, 2015 at http://www.yourlocaljournal.ca
BY BILL YOUNG (Hudson Gazette)
Greenwood’s StoryFest continues on Monday, October 28th, at The Hudson Village Theatre, this time with a movie, Sarah Polley’s highly-praised Stories We Tell. Show-times are 2:00 pm and 7:30 pm.
“Stories We Tell.” is an absolute gem. Centered on an odyssey headed by Polley in search of a secret about her own family, the story-line ultimately shifts direction, to measure instead the reactions of family members to other secrets, as well as to secrets they each carry within themselves.
The National Film Board of Canada describes “Stories We Tell’ as a work that “excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.”
The New York Times calls it remarkable, the kind of film that must be seen to be believed. And frankly, it really is that good.
The story of “Stories…” is quite straight forward. Because Polley saw too many gaps in her knowledge of her mother Diane, who died when Sarah was only 11 years old, she set out not long ago to find answers.
Drawing on her film-maker persona, she decided to interview on camera those who knew Diane – from family members to her mother’s close friends to others who had come to know Diane in different ways.
Polley’s approach was to sit down with each one individually, almost always in settings comfortable for the interviewees, and begin by asking straight-up: “Can you tell me the story of my mother as though I were someone who never met her?”
The results themselves are extraordinary for the many and varied observations her not-so-simple question elicited. However, the genius of the film reaches further than that, to the way Polley draws on the richness of these observer comments to produce a complex, layered narrative, one layer resting on the next, that is as mystical as a pyramid.
As each interview produces new stories and new secrets, perspective constantly changes, challenging the very core of our assumptions, again and again.
By the time the film ends, the viewer is caught up as much in the complexity of the stories, their inherent inaccuracies within the act of storytelling and the amorphous nature of truth, as he is in the complicated revelations themselves.
Only the viewer can decide if Polley’s first question, “What can you tell me about my mother?” ever does get fully answered.
Critic David Thomson, writing in The New Republic describes ‘Stories We Tell” as a work of art that stays with the viewer long after you have seen it, even after repeated viewings. In fact, he suggests that the film is so well crafted and so wonderfully complex that the viewer will want to watch it again and again.
While ‘Stories We Tell’ is classified as a documentary, which is probably where it belongs, many critics, including Thomson, see it as something more, what Thomson has labeled “narrative magic.”
“Just when you think you know where [the movie] is heading and what it’s emphasising,” wrote one reviewer, “the film unexpectedly changes direction. It’s so beautifully done.”
It really is. But don’t just take our word for it. Come and see for yourself.
BY AUDREY WALL
How does a literary festival like StoryFest manage to attract Michael Ondaatje and Linda Spalding as their guests? As one of the organizers of StoryFest, a festival that promotes and applauds storytelling of all kinds, here is my story of how this came to happen.
As part of a very wonderful and resourceful StoryFest committee, we are constantly looking for inspiring and influential authors to bring to Greenwood’s festival which is held each year in October in Hudson. Of course, Michael Ondaatje’s name was always at the very top of the list of authors we would like to invite. One of Canada’s most celebrated and best known authors, Ondaatje is known nationally and internationally, and his career has included almost every prestigious literary award, including multiple Governor General Literary Awards, the Giller Prize, and the Booker Prize. The author of The English Patient, The Cat’s Table, In the Skin of the Lion, Divisadero and Anil’s Ghost, among many other works, is also an Officer of the Order of Canada.
Linda Spalding is a writer and editor whose most recent novel, The Purchase, won the Governor General’s Literary Award for fiction last year. Spalding and Ondaatje are a husband and wife team, and together with Spalding’s daughter, Este, are on the editorial board of the national literary magazine The Brick. Last year, as a representative of StoryFest, I attended the Governor General’s Literary Awards at Rideau Hall and had the great fortune to hear Spalding’s very gracious acceptance speech when she won the coveted GG for fiction.
After the ceremony, I went over to speak with one of StoryFest’s previous guests, writer Merilyn Simonds, who happened to be in conversation with Michael Ondaatje. As she introduced me, Merilyn launched into a very animated description of StoryFest, which included our beautiful heritage home, Greenwood, which all our guest authors visit, and the unique converted train station that is Hudson Village Theatre where our guests speak. Michael seemed interested in StoryFest, and asked where it was held. Merilyn and I both spoke at the same time, “Hudson!”
“But where is that?” he asked. When he discovered that it was only a short drive from Montreal, he said “I’m in!” and I literally danced with joy on the spot—and also saw a fantastic chance to perhaps bring the brilliant Linda Spalding to StoryFest 2013 as well. So I said quickly: “And of course, we want your wife too!” to which he replied: “Ask her!” And so I did. The opportunity presented itself a little later in the evening when I met Spalding and repeated the conversation I’d had with her husband. Linda said she would be delighted to come to StoryFest too—and here we are, with great pride, welcoming Linda Spalding and Michael Ondaatje to our town this weekend.
BY AUDREY WALL
StoryFest’s special guest Charles Foran may just be visiting Hudson next week, but his roots in Montreal and Quebec are deep.
Foran, who once lived in Montreal and hails from a francophone and Irish background, has written extensively about Quebec in his journalism and essays — and perhaps never more eloquently than in his much awarded biography of Mordecai Richler and his latest biography of Maurice ‘The Rocket’ Richard. Over the years, Foran has become a well-established participant in the all the ongoing conversations that characterize Quebec, whether it be in his articles for The Globe and Mail or The Walrus, or the many other venues where his work regularly appears.
His special appearance at StoryFest this Tuesday, October 15 will provide a unique opportunity to listen and meet this well-seasoned observer of the Quebec scene.
Governor General award-winning author Foran, a novelist, journalist and essayist, won the coveted GG as well as the Hilary Weston Award, the Canadian Jewish Book Award, and the Charles Taylor Award in 2011 for his definitive biography Mordecai: The Life & Times.
But Foran brings other concerns and issues to any discussion as well.
From 2011 to just last month as president of PEN Canada, Foran headed the Canadian effort of the international organization that campaigns on behalf of writers around the world who are persecuted, imprisoned and exiled for exercising their right to freedom of expression. Foran lived in China in 1989/90 and witnessed the democracy movement that culminated in the Tiananmen Square massacre, and his award-winning non-fiction book The Last House of Ulster chronicles the life of a Catholic family from Belfast and the human cost of The Troubles in Northern Ireland.
His works of fiction, like The Butterfly Lovers, Carolan’s Farewell and Kitchen Music will also satisfy any reader looking for literary works of great beauty and resonance.
All in all, Foran’s visit promises to be an absorbing and fascinating evening.
BY SUSAN GILMORE LOMBARD (Hudson Gazette)
Emma Donoghue is a true Renaissance woman. Her powerful novel Room, narrated by a five-year-old named Jack, was shortlisted for the 2010 Man Booker Prize and Orange Prize, and won the Hughes & Hughes Irish Novel of the Year and the Rogers Writers’ Trust Fiction Prize, among others. Her writing encompasses a wide range of subjects and genres, including literary history and drama for stage, radio and screen, but she is best known for her fiction. She has written seven novels, five short story collections and is currently working on her next novel, a mystery entitled Frog Music which will be published in the spring of 2014.
In 2012, Donoghue’s stage play The Talk of the Town based on the life of Maeve Brennan, short story writer for the New Yorker in the 1950s and ‘60s, was staged in Dublin to great acclaim. Her ability to evoke the quick, sharp, witty dialogue of sophisticated writers of the day, engages the audience and brings them into a world of the talented young men and women in the golden age of short story writing at the magazine. It also presents Brennan’s struggles with her sense of self and her private demons.
Emma’s book of short stories, Astray, published in 2012, is outstanding as it explores the world of the “other”, not only in terms of place and time “…lighting up four centuries of wanderings…” but also with regard to departure from the expected. In Donoghue’s words, “… focusing on North America and the theme of life-changing journeys this time, Astray is an oddly autobiographical book. Having emigrated twice, as I explain in the Afterword, I have a stake in these storylines.”
Donoghue grew up in Ireland where she attained her Honours BA in English and French at University College Dublin, went on to do her PhD at the University of Cambridge and from the age of 23, she has earned her living as a writer. After spending a number of years travelling back and forth from Ireland, England and Canada, she has settled in London, Ontario, where she lives with her partner, Chris Roulston and their two children.
StoryFest kicked-off on the evening of October 1st with “Meet the Author” Lorne Elliott at the Hudson Village Theatre.
Lorne is a writer, humorist, storyteller, playwright, musician and performer.
An afternoon tea on the 3rd October at the Hudson Community Centre welcomed Helen Humphreys.
Helen has written four books of poetry, six novels and one work of creative non-fiction. In 2000, she won the Rogers Writers’ Trust Fiction Prize for “Afterimage”; and “Wild Dogs” won the 2005 Lambda Prize for Fiction.
By WALTER J. LYNG, October 2nd, 2013
Greenwood’s StoryFest started out as a small and intimate affair. With the 11th edition now underway, it may still be intimate, but it’s far from small. With various events taking place until the end of October, the annual literary festival put on by the Greenwood Centre for Living History in Hudson will surely have book lovers swooning.
“We’ve kept the tradition of story telling alive by keeping this literary festival going,” says the festival’s executive director Audrey Wall.
“Over the past 11 years, it’s grown tremendously.”
StoryFest will this year be welcoming Michael Ondaatje, author of The English Patient and many other celebrated works. As Wall explains, Ondaatje’s involvement with the festival came out of a chance meeting at the Governor General’s Awards. “When I asked Michael Ondaatje to come, it was an interesting coup,” she says. After the two were introduced and the concept of StoryFest was explained, Ondaatje had an important question. “[He said] ‘It sounds good, but where is it?’”
To that extent, Wall has also become something of a spokesperson for the area.
“At this point, we figure we’re putting Hudson on the map,” she says.
Joining Ondaatje will be the winner of last year’s GG Award for fiction, Linda Spalding — who also happens to be his wife. The authors will each headline their own events with Ondaatje taking to the stage on Friday, Oct. 18 at Hudson Village Theatre, and Spalding being featured at a breakfast on Saturday, Oct. 19 at St. James’ Church Hall. And while tickets for Ondaatje’s event are sold out, Wall says there’s a good chance that he might be at the breakfast as well.
In addition, the festival will also welcome the likes of Helen Humphreys, Emma Donaghue, Charles Foran, and Josip Novakovich, who was a finalist this year for the Man Booker International Prize.
Novakovich will offer a workshop for writers on Sunday, Oct. 5. At the tail end of the festival will be a meet-and-greet with Michael Crummey on Oct. 29 and playwright Bonnie Laing on Nov. 1 and 2.
StoryFest will also feature other events, such as the annual Storytelling afternoon on Oct. 6, and the screening of Stories we Tell, hosted by the Hudson Film Society on Oct. 28. All the events will be held at various local venues, such as Hudson Village Theatre, the Stephen F. Shaar Community Centre, St. James’ Church, and Greenwood House itself.
By BILL Young, Montreal Gazette September 18, 2013
If you’re a compulsive reader, keep an eye on October. And Hudson!
For once again, the Greenwood Centre’s StoryFest is coming to town.
From October first and the moment local humourist, and now novelist Lorne Elliott steps on the Hudson Village Theatre stage, right through to October 29 when Newfoundland author Michael Crummey brings down the curtain, StoryFest promises to serve up one delicious literary treat after another.
Among the headliners is Michael Ondaatje, perhaps the most honoured of all Canada’s literary figures. He will be centre stage at Village Theatre on October 18.
Ondaatje’s accomplishments are legendary. He is a five-time recipient of the Governor-General’s Literary Award, a winner of the Scotiabank Giller Prize - and a runner-up for both.
Internationally, his novel The English Patient earned him the prestigious Booker Prize and was later made into an Oscar-winning film. But, and this is perhaps StoryFest’s underlying strength, he is only one of this year’s participating authors to have received similar high honours.
Emma Donaghue (October 9) was short-listed for both the Booker Prize and the Governor-General’s Awards in 2010 for her novel Room, while Josip Novakovich (October 5 - Writers’ Workshop) was placed on the short list for this year’s Man Booker International Prize, in recognition of his full body of work.
Charles Foran (October 15) was accorded the Governor-General’s Award for Nonfiction for his biography of Mordecai Richler in 2011. He had already been shortlisted in 1995, as had Michael Crummey in both 2001 and 2009.. Crummey made the final cut in the 2001 Scotiabank Giller competition.
And then there is Linda Spalding, the 2013 winner of the Governor-General’s Award for Fiction, for her novel The Purchase. She will be the special guest at a literary breakfast on October 19.
As it happens, Michael Ondaatje and Linda Spalding are husband and wife. With six Governor-General Awards between them, they are quite possibly the only wedded couple in Canada qualified to occupy a niche in the ‘family’ corner of Canada’s pantheon of literary excellence.
Audrey Wall, Greenwood’s Executive-Director first met the literary twosome last winter at the Governor-General’s reception for award winners. One conversation led to another and a few months later both laureates had kindly accepted Wall’s invitation to read at StoryFest.
“We are particularly fortunate and honoured that Michael Ondaatje and Linda Spalding found themselves free to join us this year,” said Wall recently. “We gladly welcome them – and in such stellar company as Helen Humphreys, Emma Donoghue, Charles Foran, Michael Crummey and our own Lorne Elliott.”
The informal listing of literary honours and awards that appears above was prepared with the help of my colleague on these pages, Terry O’Shaughnessy.
Our intention was to underscore the fact there is nothing extraordinary about the number of acclaimed literary figures attending StoryFest this year. Rather, their presence reflects a pattern of accomplishment which seems to hold true for participating authors every year.
Why even Louise Penny, author of the prize-winning Inspector Gamache mystery series, is a former guest reader, having taken part in a PreStoryFest event in early 2010. Her latest release How The Light Gets In currently sits at Number One on the New York Times Best-Seller list,
Such uniform excellence only confirms what organizers have long believed, that authors have come to regard StoryFest as a literary destination of some importance.
“Every year we claim that this year’s collection of authors was the best yet,” notes Susan Gilmore of the StoryFest committee, “and every year that turns out to be true.”
Once the rest of the country learns of it, she says - watch out.
Or, as O’Shaughnessy suggests, borrowing from Miss Jean Brodie, "StoryFest Alumni are the always the crème-de-la-crème.”
Baseball historian Bill Young was a founding member of Greenwood’s StoryFest programme. He lives in Hudson.
By BRENDA O'FARRELL
One of the biggest annual events organized by the Greenwood Centre for Living History is StoryFest, a showcase that is becoming a must-see event, attracting the biggest names on the Canadian literary scene.
The lineup of authors who will attend this year’s edition in October read like a who’s who of Canadian writers. The headliners, announced last week, include Michael Ondaatje, author of The English Patient and other celebrated works, and last year’s winner of the Governor General’s Award for Fiction, Linda Spalding. Spalding, who is married to Ondaatje, won the top Canadian award for her novel The Purchase.
“When they so readily answered our invitation to appear at StoryFest this year, we were over the moon,” said Greenwood executive director Audrey Wall. “It’s such a coup for us. Ondaatje and Spalding are quite the double bill.
“Our committee works very hard to bring the best of Canadian writing to town. We are very grateful to Canadian authors for their growing interest in our festival.”
Also confirmed to host events throughout the month-long festival are Helen Humphreys, the author of several novels, including Leaving Earth and The Reinvention of Love, who lives in Kingston, Ont.; Irish-born writer Emma Donaghue, whose 2010 novel Room was an international bestseller and a finalist for the Man Booker Prize. She now lives in London, Ont. Also expected is novelist Charles Foran, a former Montrealer, and poet Michael Crummery of Labrador.
*As printed in Off Island Gazette, (Montreal Gazette,) July 17, 2013.
By TERRY O'SHAUGHNESSY
Hudson’s own literary festival, StoryFest, has achieved a first in its 10 year history: an invitation to the prestigious Governor General’s Literary Awards Ceremony being held at Rideau Hall in Ottawa today.
Audrey Wall, executive director of Hudson’s Greenwood Centre for Living History, which presents StoryFest every autumn, couldn’t be more pleased.
“I’m absolutely thrilled for StoryFest to have been invited to such a prestigious event,” she said. “All the major Governor General literary prizes are awarded during the evening, so it’s very special for our literary festival to be there, too.”
It’s the first time StoryFest has been invited to attend.
“We are so excited for Story-Fest to be recognized in this way,” Wall added.
The annual literary festival held in Hudson has grown since its inception 10 years ago. Building upon the original Greenwood Centre’s Gigantes Series, launched with the support of former senator Philippe Gi-gantes, StoryFest attracts prestigious names on the Canadian literary scene.
M.G. Vassanji, Wayson Choi, Nino Ricci, Jane Urquhart and Joseph Boyden are only a few of the leading lights of Canadian letters to have appeared at StoryFest.
Globe and Mail columnist Jeffery Simpson was a special guest this year, as was journalist Sally Armstrong. Linden MacIntyre, Jan Wong and Stevie Cameron are just a few of the other names that have appeared on the StoryFest roster of guests over the years.
Local support, a finely honed team of Greenwood volunteers, and support from the Canada Council for the Arts have ensured that StoryFest keeps growing in stature.
“This was StoryFest’s most successful year,” Wall said. “Both in attendance and popularity, we had our best year yet.”
And who knows who may be enticed to come to Hudson next year.
“Well,” said Wall. “at such an event as the Governor General Literary Awards, no doubt I’ll be scoping out the possibilities for next year!”
The Governor General’s Literary Awards are given annually to the best English-language and the best French-language book in each of the seven categories: fiction, literary non-fiction, poetry, drama, children’s literature (text), children’s literature (illustration) and translation (from French to English).
The Greenwood Centre for Living History is a historic home and garden dating back to 1732. It is a non-profit, volunteer-based organization and StoryFest is its most important fundraising event.
This article was featured in the Off-Island news section of the West Island Gazette
By SANDRA STEPHENSON
Performing poetry isn’t what it used to be. New trends in performance art, spoken word, poetry, socially responsible rap and hip-hop come together in Hudson at Galerie Hudson (3663 Harwood Blvd) on October 11 at 7:30pm.
World Slam Champion in 2010, Ian Keteku will share the stage with experimental word artist, Oana Avasilichioaei and local poetess, specialist of the “2-day poem,” Paris Sea in this year’s Storyfest Poetry Invitational event.
Ian and Oana are known for creating new boundaries for poetry in performance. Using technology and plain old speaking voice, they create new worlds and new hopes. “I wonder,” Ian muses in one of his pieces which he performs standing on his head, “whether stars in the night sky ever wish on shooting humans, what butterflies get in their stomachs when they are scared…” This is poetry to listen to, to hear as music.
Oana, recently writer in residence at U. Calgary, wrote: I am the masquerade, the railing through which your fingers slip. I am the circle, unfinished because you refuse to end me. …. You don’t notice that the burlap has worn itself thin by endlessly pleading with you; the rub of grain that will not sprout. But you don’t listen. Instead you leave a trail of grains and peonies behind you….
Paris Sea is a mother of four, West Island resident, and two-time winner of the CV2 poem contest who judged their 2011 competition. In it, writers receive a list of 10 words, which they have forty-eight hours to compose into a poem. Her work is engaging, with frequent humour and dazzling word-play.
Past readers in the Storyfest poetry event have included Karen Young, Susan Gillis, Mark Abley, John Asfour, David Solway, Claudia Coutu Radmore and others of national and international stature.
Please join us for the Poetry Invitational at Galerie Harwood on Thursday, October 11 at 7:30 pm. Entry is free for Storyfest pass-holders, $5 for students and $15 for general public. Books and CDs will be available for purchase.
Storyfest is a fund-raising event for Greenwood Centre for Living History, Hudson, and is sponsored in part by the League of Canadian Poets and Canada Council for the Arts.
BY SUSAN GILMORE LOMBARD
Jeffrey Simpson, national aff airs columnist for Th e Globe and Mail for more than 25 years and author of eight books, including his latest, Chronic Condition: Why Canada’s Health- Care System Needs to be Dragged into the 21st Century, will be the featured guest speaker on Tuesday, October 9, as part of the Greenwood Centre for Living History’s 10th annual StoryFest.
Simpson’s keen observations and analyses of national and international issues, ranging from Canada’s climate change challenges to the impact of living with the star-spangled neighbour to the south, offer thought-provoking insights into Canada and the world around us.
He has been awarded all three of Canada’s leading literary prizes – the Governor General’s award for non-fiction writing, the National Magazine Award for political writing, and the National Newspaper Award for his newspaper columns.
Born in New York, Simpson came to Canada at the age of ten and attended University of Toronto, Queen’s University, and The London School of Economics. He has been a guest lecturer at Oxford, Edinburgh, Harvard, Princeton, University of British Columbia, among a number of other universities in Canada and abroad, and was made an Officer of the Order of Canada in 2000.
Simpson has been recognized for his excellence in public policy journalism and public discourse. These skills were put to excellent use in his research into and thinking about the healthcare issues in preparation for writing his latest book. In Chronic Condition: Why Canada’s Healthcare System Needs to be Dragged into the 21st Century, he presents ideas that need to be debated in order to improve Canada’s healthcare system. He asks questions that involve funding and how choices are made when deciding how to spend tax revenues, he puts forward new ways to fund an ageing population’s medication needs, and looks at a number of European countries, such as France, Germany, the U.K. and Sweden, that have different and effective ways of keeping universal, extensive healthcare without compromising the overall system. He states that Canadians must be ready to ask direct questions of the policy makers and politicians so that discussion can take place and Canada can create a new and viable healthcare system for the 21st Century.
This is an event not to be missed and will take place at the Hudson Village Theatre on Tuesday, October 9 at 7:30 p.m.
Greenwood’s StoryFest presents Wayson Choy at the Hudson Village Theatre at 7:30 p.m. Tuesday, Oct. 2. Tickets $15, at Pure Art, www.greenwoodstoryfest.com or at the door. Festival passes available for all StoryFest events. (Gazette photo) by JIM DUFF
Writer Wayson Choy, who describes himself as lucky, tells the following story:“I just came back from Vancouver, two weeks later than I had planned. I’d had an asthma attack in Vancouver because as it turned out, for the Olympics six years ago they planted only male trees because female trees shed and male trees are more decorative and ‘clean,’ quote unquote.” It was Choy’s misfortune to be in town the day a temperature drop caused all those male trees to pollinate, “a last chance at a big orgasm.” Soon the severely asthmatic Choy was in respiratory distress. He was taken to University Hospital and spent the next eight hours in the ER, recovering from another of the increasingly acute asthma attacks he describes in his latest memoir, Not Yet.
The 73-year-old author and teacher, who kicks off this year’s Greenwood StoryFest onstage at the Hudson Village Theatre next Tuesday, Oct. 2, has turned his life experiences into a series of best-selling novels and memoirs — his 1995 debut novel The Jade Peony, his 1999 memoir Paper Shadows and his second novel All That Matters.
All are set in his boyhood in Vancouver's Chinatown, part of a strange city-state where the British topped the caste system and white trash lorded it over First Nations peoples and Canadian-born descendants of a dozen Asian nations. This was the society that gave Canada the Exclusion Act, the head tax and the Komagata Maru. But you won’t find anger in Choy’s work. “I have an excellent life, a lucky life,” he explains. “I always talk about my life as a writer and how lucky I have been, mainly because I have this great faith in the world, that enough good people and decent people are holding up the sky. Many of them are writers and readers.”
I suggested that he’s lucky to have the option of writing for pleasure. “Well you be careful,” he said, “because I write for money. All my books have been assigned. I knew I’d be a writer one day, but because I published a short story (Jade Peony) and it kept getting republished, someone asked me if I had any short stories, I said I thought I’d retire and write one day, and suddenly somebody made an offer and got me an agent, and I wrote a collection of short stories that turned into my version of Dubliners.”
In 2005, he received the Order of Canada in recognition of his work as a writer and teacher. No longer teaching full time, Choy is a part-time instructor at Toronto’s Humber College where he spends his days doing what he loves best — giving writing workshops for a master class or talking about his life as a writer at Toronto’s Humber College. “I find it interesting to be interested in my own life,” he says without a trace of modesty, false or otherwise. “I don’t know what I’m saying until I say it.”
Choy, in wide demand as the opening act at writers’ festivals across Canada, isn’t fazed by the intimate size of the HVT venue. “Whether it seats 10 people or a hundred people, if they’re interested in books, I’m interested in them. Books are my life, teaching is my life and I guess I’m a ham as well, so that adds up.” The interviewer’s trick is to probe for cracks in the wall most writers live behind.
Choy has no wall; rapport is almost instantaneous. After discovering we’re both lifelong asthmatics we gleefully explore the emotional impact of realizing we’ve left our meds at home or the medical risks waiting too long to take them. Choy could teach Big Pharma.
It was only after we’d said goodbye that I realized Wayson Choy’s secret weapon. His curiosity about the world around him is insatiable. He’ll quickly turn the Hudson Village Theatre into a writer’s workshop, where he’ll make us all his students. I can’t imagine a better choice to open StoryFest’s 10th anniversary season.
Trevor Ferguson and Johanna Skibsrud enjoying Greenwood hospitality.
David Gossage joins Joanna, Trevor and Greewood members...
Authors open up at StoryFest teaser
Giller winner, local crimewriter, celebrated flautist charm Greenwood preview June 15
By KATINKA RUBIN MICHAUD
HUDSON — What better way to pass a rainy weekend than in the company of two of Canada’s most celebrated writers and a world-renowned musician?
This past Sunday, the Greenwood Centre for Living History kick-started its StoryFest fall event with a fantastic spring reading afternoon. Scotiabank Giller Prize winner, Johanna Skibsrud, and local author Trevor Ferguson, accompanied by Celtic flautist David Gossage, provided a wonderful treat for approximately 60 people at St. Mary's Hall.
Skibsrud started her reading by telling the audience that she sees her novel, The Sentimentalists, in terms of an exploration of living history. “The idea for the novel first came to me when I was canoeing over at Lake Flagstaff in northern Maine, which is a lake that covers over a town which had to be relocated when a hydroelectric dam was built in the middle of the twentieth century.”
“It was a striking experience, you could still see trees that would emerge through the water. The physical presence of history that surrounded me and this presence of history in our daily life was the first inspiration in writing The Sentimentalists.”
That was the summer Skibsrud had enrolled in an MA program at Concordia University. She had the beginning of a story in her head about an eccentric man named Henry, who lived in a imaginary lake town in a house that overlooks his submerged original home. "As I was exploring these ideas of buried history and buried memory," Skibsrud continued, "my father began to tell me about his experiences during the Vietnam War. I was immediately struck by the intersections between his stories and my story. I began to weave his real-life stories into my story about Henry. I think of the book as a way to exploit the space between facts and fiction"
Trevor Ferguson uses the pen name John Farrow for his crime novels structured around the persona of fictional Montreal police detective Emile Cing-Mars. River City is the latest in the trilogy which covers no less than 450 years of Montreal history. He explained to the audience how his latest novel will come out in two completely different editions. His publishers in England and New York could not agree on the editing, so Trevor decided to “just do two books...It will be the same story, but totally restructured. “I didn’t realize, when I was doing it, that my mind would be turned inside out, backwords and kicked out the door, and I could not remember one version from the other, because I was doing them simultaneously,” Ferguson adds. “It was a nightmare, but we got through it.”
It is very impressive how the Greenwood Centre can attract such famous Canadian authors to StoryFest. Audrey Wall, director at Greenwood, explained to me that the visiting authors come here because of their love for literature. They enjoy their visit to Hudson and, consequently, are very effective at spreading the word to other great Canadian authors about Greenwood and StoryFest.
For the fall program look out for Wayne Johnston, Linden MacIntyre and Camilla Gibb.
By ALYSSA FOURNEAUX
Greenwood Centre’s StoryFest kicks off June 12th with an exciting double header, featuring Johanna Skibsrud and Trevor Ferguson.
Hudson’s own Trevor Ferguson, perhaps better known under his pen name John Farrow, returns to StoryFest to promote his new book River City, set to be released this July 12. He will be joined by Celtic flute player David Gossage.
Last year’s Giller Prize winner Johanna Skibsrud starts off the afternoon by talking about her fictional novel The Sentimentalists. When Skibsrud was nominated she was considered to be the underdog in the competition.
“It was a real pleasure to be contacted after the Giller by writers who felt inspired by my story,” she said. “Writers can get a bit jaded—often for good reason—about the possibilities for writers who don’t have any previous exposure or financial backing. It felt good to be part of a different story that was able to provide encouragement to other emerging writers.” Skibsrud’s The Sentimentalists tells the story of a daughter’s desire to uncover her father’s war stories. It is loosely based on her own father’s experiences during the Vietnam War.
“My father’s stories were a real revelation to me,” Skibsrud said. “He had never spoken of his experience in the war to anyone, so it was almost as if, listening to him, I was listening in on his own process of a revelation. He didn’t recall very much, but what he did was striking and horrifying to me. It was difficult,and painful, for me to try to imagine that my father had lived alone with these memories for so many years.”
Skibsrud has a collection of short stories coming outthis fall called: This Will Be Difficult To Explain and Other Stories.
Ferguson’s newest crime thriller River City is a third instalment of detective Émile Cinq-Mars’ investigations. Ferguson says it “encompasses 450 years of Montreal history written as a crime novel.” It is a prequel to City of Ice and Ice Lake. River Citytook Ferguson 3 years to write and 5 years to edit.
He says he doesn’t really know where the inspiration came from, except for a need to tell a really great story.
“I’ve always been drawn to the epic story,the broad canvas where we can see a very wide spectrum of human experience, both personal and social, play out,” he said. “It’s a natural part of my imaginative flow, the epic, so it was time to take something really large on.”
Ferguson says his protagonist Émile Cinq-Mars is based on a former Montreal detective, Jacques Cinq-Mars.“He’s [Jacques Cinq-Mars] very old now, and was born much earlier than Émile, and they were different, but they did go about things in a moral and determined fashion.” Ferguson said. “Jacques is now more closely in the work, as the life of Armand Touton [another character in the novel] is closely based on him, whereas Emile was a modern update.”
On June 12, Fergusonis partnering with Gossage; together, they will take a different approach to storytelling. “He’s a great musician.” Ferguson says. “Not merely good. But perhaps the best flute player on the continent. For StoryFest,it gives me a chance to do something different. I can visit different stages in a very big book (845 pages) and rather than introduce them, allow the music to create the mood and change and charge the atmosphere. I’m looking forward to that very much.”
Between presentations refreshments will be served at St.Mary’s Hall. Afterwards, guests are invited to cross the street to Greenwood for a reception with the authors and to get their books signed.
StoryFest is becoming a well known event in Hudson. It evolved twelve years ago from the Gigantes lecture series, named after the late Liberal MP Philipe Gigantes. According to executive director Audrey Wall, StoryFest is Greenwood’s biggest fundraiser. StoryFest was created to pay homage to Greenwood’s founder Phoebe Nobbs Hyde’s love of storytelling.
This very special StoryFest event is a taste of what is to come in October, when Greenwood welcomes other notable authors and poets to Hudson.More information about the complete StoryFest programme will soon be released.
This event takes place on Sunday, June 12 at 2pm at St. Mary’s Hall. Tickets are $25. They are available at Pure Art, 422 Main Road, Hudsonor at Greenwood,254 Main Road, Hudson. For more details call Greenwood at 450-458-5396 or visit.
On June 27th, Greenwood launched the summer reading season with a special pre-storyfest event; an afternoon with best-selling author Louise Penny.
Recognized internationally for its charm and psychological insight, the author’s award winning mystery series has particular appeal for local readers with its familiar Eastern Townships setting.
Penny was born in Ontario and worked as a news journalist and radio host for CBC, a career that led her to various regions of Canada, and finally to Quebec. Now living in the Eastern Townships, she draws on the region’s idyllic landscape and rich cultural mix for the vividly imagined community of Three Pines.
Her first novel Still Life (2007) was an immediate success with readers and critics. Penny adapts the ingredients of the British whodunit into a witty and affectionate rendering of small town Quebec with the small rural village, the collection of eccentric characters, clever plots and of course, the leading figure of the detective, in this case the wise, sophisticated Chief Inspector Armand Gamache. In Penny’s hands, the formula acquires an exceptional depth through complex characterization, keen observation of the rich texture of daily life, and elegant writing.
Following Still Life, she has published four more books in the series, the latest being The Brutal Telling, published this year, for which she received her third Agatha Award for Best Mystery. Her upcoming book, Bury Your Dead, is to be released in September.
You can visit the author on her blog where she shares the details of her daily life, from breakfast in Cowansville and visits to the pond, to the trials and joys of work in progress.
Louise Penny spoke at St. Mary’s Hall on Sunday, June 27th at 2:00 pm. A reception followed at Greenwood.
This event is part of the Quebec Writers' Federation's 2010 "Writers Out Loud" series and made possible by the Canada Council for the Arts.
Sunday marked the end of StoryFest's month-long journey through Hudson celebrating writers, readers and storytellers. Featured guests Jane Urquhart, Donna Morrissey and Jan Wong were the big names hosting this year's events, filling the Hudson Village Theatre three times.
"Greenwood Centre is a non-profit charitable organization," said Audrey Wall, Executive Director. "Three years ago, StoryFest was still being operated under a deficit. With hard work and dedication from the committee, we made the move to the theatre and other larger venues hoping to draw bigger crowds with higher profile guests," she adds.
Next year's lineup, already in the making, tentatively includes Nino Ricci, MG Vassanji and Claire Rothman. Applications for funding were submitted to the Canada Council for the Arts in September. "There are many expenses associated with putting on StoryFest, our biggest annual event. It's nice to finally come out ahead. It's a testament to the hard work of so many invaluable volunteers," says Wall.
The committee of volunteers for Greenwood Centre's StoryFest includes Audrey Wall, Jane Havard, Sharon Sullivan, Diane Ratcliffe, Donna Seaman, Sandy Racicot and Christine Coté, each bringing a unique talent to the table.
It was Havard's idea to introduce a season pass for all of the events last year. "It gives us a core group of people to count on and encourages them to come to all of the events. It's also a nice way to save on entrance fees with the discounted price. We sold 50 passes this year and expect to do better next year," says Havard.
Greenwood's volunteer support also includes students from the Young Canada Works summer program, whose contribution is also invaluable. "This year Caroline Cawley and Katie Scotcher gave us 14 weeks of their time making tickets, posters, website updates, and virtually anything else we asked of them," said Havard.
United by a passion for words and educating, the ladies of Greenwood hold fast to StoryFest's motto: "Our stories are your past, your stories are our future" when planning what has become the second biggest fundraiser for Greenwood after Treasures in the Attic.
Jane Urquhuart said it best when she hosted the special opening event for pass-holders, "Every story needs a place to start from. The Greenwood home is a wonderful place." Fundraisers like StoryFest work to promote and preserve Greenwood in the hearts and minds of the community while at the same time merging place with festival.
Sponsorship from both individuals and companies has been generous. "Theatre Panache made it possible for StoryFest to have a printed booklet this year, on-line ticket purchases, and allowed us to ride on their coat-tails reserving three evenings for Greenwood in their theatre schedule," says Wall, noting one of many contribution to StoryFest's success.
"Maria Loggia was also very gracious," she adds, "in donating the ticket price from her lunch event at the Community Centre to Greenwood." Tickets sold for $20 per person and the event was hugely successful with eight full tables of 10. Loggia's new cookbook, launched last week, has already sold just over 120 copies at A Temps Perdu since the luncheon.
"We want to thank the community, the passholders, and everyone who took time out of their busy schedules for their support," says Wall. "We are extremely pleased with the turnout and look forward to making next year's event bigger and better."
Dear StoryFest fans,
October and StoryFest are coming fast! We are thrilled to have a full month of events planned for you. For a complete list of events and times, see the attached poster, or go online to www.greenwoodstoryfest.com to read all the details about each of our guests. Have you heard about the big names in the literary world who are coming to our little town? We are excited, and hope you will be too.
The Festival Pass offers the best value: for $60, you can attend $100 worth of events. Pass holders are invited to a special private tea at Greenwood to meet Jane Urquhart on Tuesday, Oct. 6th at 3:00pm.
This year we're holding our first Books and Breakfast- Saturday, Oct. 17th at 9:00am at St. James, with guest authors Robert Wright and Jeff Heinrich. A delicious cooked breakfast awaits you.
The new book "At Home with Maria Loggia", will be launched at our Community Centre event along with more delicious food. Book your tickets early for Thursday, October 29th at 1:30.
A Temps Perdu, 76 Cameron, is selling tickets and will be hosting a children's storytelling event and an open poetry reading.
Please pass this along to anyone you think may be interested.
We hope to see you there!
Audrey and Jane
Hudson, June 2008
StoryFest - Playing With Words, is a community initiative spearheaded by Hudson's Greenwood Centre for Living History. In partnership with Westwood Senior High School, students participated in numerous StoryFest activities both at Westwood and within the Hudson community at large. StoryFest 2007 authors who spoke at Westwood included Roy MacGregor, Gil Courtemanche, Noah Richler, Claire Mowat and Karen Molson. To promote StoryFest 2007 events, students set up displays, painted murals, organized contests, put up posters and gave audio-visual presentations. In conjunction with StoryFest and Canadian Children's Book Week, Westwood Senior organized Reading Week within the school. To promote and encourage the "Love of Reading" theme, many activities unfolded: "Poetry Free For All", "MatchBook" Contest, StoryFest Draw and "Look Who's Caught Reading". Students met with the authors and storytellers including Hudson's own "Trapper Rod" Hodgson.
In recognition of StoryFest - Playing With Words as a joint Greenwood & Westwood project, Westwood Senior won First Prize in the Prix de Reconnaissance of the Ministere de l'Education, du Loisir et du Sport among 294 schools in the Greater Montreal region. The Prix de Reconnaissance is awarded to projects that promote books, develop reading habits and contribute to student success.
Kindly submitted by Gwen Murray,
Librarian, Westwood Senior High School
Roy MacGregor is one of us. He tells our stories as Canadians in a way that makes us feel as though he is sharing news about our aunt or our neighbour or our Grade One teacher, etc. His stories are about people with whom we can easily connect.
The Hudson Gazette gave us permission to reprint their description of Roy's day in Hudson on Oct.16...
StoryFest got off to a running start last Tuesday evening with columnist and author Roy MacGregor's appearance at St. Mary's Parish Hall. It's safe to say that nobody left the hall disappointed. The man can certainly spin a yarn. His characters are modest but memorable. His settings are as diverse as the country he writes about. After listening to or reading MacGregor's work, his stories become our own.
MacGregor recounted the story of an old man who got lost in the woods while hunting. He shot a deer for sustenance but because he had lost or left his false teeth at home, he resolved to pry the molars out of his kill with his pocketknife and use them in place of his own. Some people in the audience laughed, some grimaced. "Yeah, I didn't believe him either," concluded MacGregor to the delight of even the most squeamish in the audience.
According to MacGregor, resourcefulness is the real story of this country and that "the best we can do under the circumstances" should be our nation's motto. He talked about the Trudeau funeral train and what an array of emotions it aroused in him and his fellow reporters. In true MacGregor fashion, he described how he was only able to grasp the real thread of his reporting on the event after he figured out that the real story wasn't on the train but rather, was to be found in the crowds of people who came out to pay their last respects.
It's the nation's anomalies that make Canada great in MacGregor's eyes. He told the story of a 100-year-old man who had never learned to read. Though active and able bodied, when his wife died, he lost his crutch. In order to keep his independence, he started teaching himself to read using cereal boxes and Canadian Tire flyers.
In closing, MacGregor was thanked by Audrey Grey for appearing at Hudson's Storyfest. She alluded to his missing something in Ottawa, namely the throne speech. "Something's happening in Ottawa?" MacGregor asked, feigning ignorance. An appreciative Storyfest audience was officially smitten.